Showing posts with label brahms. Show all posts
Showing posts with label brahms. Show all posts

Monday, March 19, 2012

Gear Up: Drumheads - Toms

Aaaaaaaalright! It's finally time for the last (for now) installment of our discussion on heads. We'll keep it super simple, short, and to the point.

For the batter head, you basically have a few choices.

  • Single or double ply?
  • Clear or coated?
  • Pinstripes, oil-filled or other 'affects?'
And for the resonant side, the same choices basically apply. In general, you want a thinner, clearer head on the bottom than on the top.

Here are some great places to start surfing for new heads:





I currently own and play heads from all four of these companies. There are reasons to like and dislike all of them! There are some other makers, as well, but these are the most common. 

Your choices must be determined by two things: how you want to sound and where you're going to play. If you're playing jazz in a club, you're going to make very different choices than if you're making a heavy metal recording in the studio.

Just remember that the thicker the head, the more plies, the more - whatever - that's on/in/attached to the head, the shorter, punchier and more focused the sound. 

Also, how should the heads be tuned? You have some choices here, as well. 
  • Tune both heads to the same pitch. Many jazz and bebop players take this route.
  • Tune the batter lower than the resonant side. Good for rock, pop, country, etc.
  • Tune the resonant side lower than the batter. Gives the lowest, "chunkiest" fundamental sound.
I tune all of my toms with the pitch of the resonant head a minor third* (a step and a half) higher than the batter head. This gives a decent amount of resonance, and a stable pitch center. They sound great live or under a mic. 

And I know I've written this many times, but remember that your drums will sound very different under a mic or out in the audience than you hear them from the driver's seat. Make sure to get a good, accurate soundcheck by listening to the playback or walking around the venue while someone else bangs the ol' skins. 

Don't be afraid to try new things, and whenever you hear something you like - find out what they're using and how they're getting the sounds. 

Good luck and happy drumming!

*Think of the first two notes of the melody of Brahms' "Lullabye" and you've got a minor third. 

Wednesday, December 28, 2011

Beyond the Kit: Triangle

Another under-appreciated, misunderstood piece of metal. The triangle is a staple of the concert percussion section, and knowing how to get a good sound is an absolute must for every percussionist. In addition, triangle is used from classical to rock, and everywhere in between.

There is a lot of debate as to which size or style of triangle is best, which kind of beaters produce the best tone, and which "leg" or part of the triangle should be played. And don't even get me started about the angle at which the beater should strike the triangle.

Three basic techniques should be mastered by the aspiring triangle-ist: single strokes, dampening and rolls. Thankfully, you don't need to reinvent the wheel, so to speak. Click here for an in-depth introduction to triangle by Neil Grover and Garwood Whaley (two names that are worth Googling, by the way), and posted at the Percussive Arts Society* (www.pas.org) website.

Enjoy the following video, and listen carefully for the excellent triangle work.



One tip I'll offer is the presentation of the triangle while playing. You'll be holding the triangle clamp with your hand in a C-shape, similar to holding a glass of water. As you prepare to play your notes, hold the triangle up high enough that the audience can see it, and you can look at the conductor just to the side of the instrument, or just a little above. Your playing will be more precise, and the audience will "hear" your notes better and clearer if they can see the instrument and the playing motion.

Playing triangle is a lot of fun, and can add immensely to the effect of the music.

Happy triangle-ing!

*If you're even a little bit serious about drumming and/or percussion, you should seriously consider joining PAS. A student membership is very inexpensive, and the benefits are amazing and lifelong.

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