Gear Up: Remote Hats

I'm writing this post mostly to convince myself that this needs to be my next gear purchase.

About a hundred years ago (maybe a little longer), bass drum and hi-hat pedals were the height of drum set technology innovation. They sort of still are - but with some very cool improvements.

In the old days of drumming, the position and playability of your drums and cymbals was limited to straight line access. Even with traditional double bass drum pedals, you have a straight metal linkage. If anything gets in the way, it simply won't work.

Luckily for us, companies like Gibraltar, DW and Yamaha have been allowing for remote location of drums and cymbals for a good long while now. This means that you can basically mount the hi-hat anywhere you want, and put the pedal wherever it's convenient for you.

You want to play open handed without switching hands? No problem. You want hi-hats on both sides of the kit, but pedals right next to each other? You got it.

For me, these are the reasons to get excited about remote hats and other innovations. You can put the instrument(s) where they make sense for you, your playing and your music. And, of course, when you change the kit, you'll undoubtedly change your approach and open up more possibilities for being expressive and creative on the kit.


Awesome. Remotely awesome, in fact.

Happy drumming!

Bag of Tricks: KT Tunstall - "Black Horse and the Cherry Tree"

I'm fascinated by how musical and powerful a simple lick can be. Here's one from another favorite modern pop tune. (Did I mention that I love any kind of hi-hat fill?) This may be the simplest fill I've ever posted, and it's still one of my favorites.

It occurs at about the 2:30 mark.

One thing I love about this music video is that KT plays all of the percussion instruments - bass drum, snare drum, tambourine, chair, hand claps, etc. Tons of energy and a lot of fun.


Happy drumming!

Gear Up: Cymbals - Drum Set

Last week I had the opportunity to set up a brand new Yamaha Stage Custom Birch kit, fresh out of the box, equipped with a Zildjian A Custom box set of cymbals - 20" ride, 16" and 18" crashes, and 14" hats. The kit was AWESOME (but that's for another post), and the cymbals were a nice change of scenery for me. Most of my cymbals are Zildjian Ks and K Customs, which are very different from A Customs. I almost hated touching everything for fear of leaving fingerprints.

So, that brings us to the questions of the day.

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How many cymbals should you have in a basic drum kit?
At very least, you should have hi-hats, a ride and a crash. Beyond that, use your imagination and watch other drummers for ideas. For me, I use hats, ride and two crashes - one left and one right - and a splash right over my first rack tom. I'm also a big fan of stacking a splash upside down on top of a ride or crash. There are other cool ideas all over the place, just experiment and see what you like and works for your playing and style of music..

What sizes should you use?
This is open to debate. I'm a weirdo, cymbal-wise, so I use 13" hats, a 22" ride, and my crashes are 15" and 17". The splash is 7". I'm not a really high volume player, so these particular cymbals get me what I need in terms of control and response.

Standard sizes (if there are standards anymore) are 14" hats, 20" ride and 16" or 18" crash. Again, try a lot of cymbal sizes, and find what works for you.

Which brand is best? Uh......yeah.....about that. This is like the Coke/Pepsi debate or the Chevy/Ford debate, but much, much worse. Given that I've played cymbals I've liked from more than a dozen different companies, I'd sooner tell you which presidential candidate I'm voting for this year. I'd probably take less heat for that than for declaring cymbal supremacy for one or the other.

In my personal cymbal bag I have a pile of Zildjian Ks, K Customs, A Customs and As. I also have some Sabian and Meinl pieces. In addition, I have a serious hankering for some Bosphorus, Hammerax, Paiste and Soultone. There are many more cymbal makers, too many to mention here.

Again, listen for what you like, and play what makes you happy.

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A few years ago I had the opportunity to play one of the practice kits at Brigham Young University (BYU), and it was equipped with a set of Paiste Signatures. Like I said above, I'm mostly a Zildjian guy, but I was blown away. They were the smoothest, silkiest, easiest playing plates I'd ever met. The experience taught me never to walk away from something just because of the brand name. Put stick to metal, and let your ears make the call. 

One more resource you may want to check out is MyCymbal.com. They allow you to hear the exact cymbal you're purchasing before you buy, usually played by somebody awesome, like Peter Erskine or Jeff Hamilton.

Good luck choosing some great cymbals. And don't be afraid to try something new.

Happy drumming!