Friday Feature: Aaron Ashton

ANNOUNCEMENT: Aaron Ashton, Ryan Tilby and Keith Sorensen (and possibly another special guest or two) will be performing an exclusive house concert in Cedar City this Saturday night, February 4, 2012. Details on the Facebook page.

Pretty darn excited to introduce you to one of the premier musicians in the intermountain area. Violinist Aaron Ashton has traveled many musical paths, and isn't afraid to blaze new ones. His repertoire ranges from classical to celtic, from folk to funk, and from jazz to just about everything else.

I first met Aaron when he was the concert master in the Utah State University Symphony Orchestra and I was the timpanist, circa 1999. It's sort of a funny/embarrassing story, actually. Aaron approached me after rehearsal one night and told me he was forming a band to play jazz and celtic music, and was looking for a drummer who might be interested. I pointed him in the direction of one of the guys in the department that I respected. (You know the closing scene of "Dumb and Dumber?" Yep, not so smart was I!)

Luckily for me, the other guy moved out of the area, and a couple of years later I ended up playing for Aaron's band, In One Ear. Not only did I get to know Aaron and his playing, I was introduced to many other great players and a mind set of playing, performing and composing both in and out of the box.

Since then, Aaron and I have worked together on a ton of projects, recordings, bands, shows, etc, including The Aaron Ashton Band, Hillside Nine, Lokalgrown and many more.

But all of that doesn't begin to scratch the surface of Aaron's career and accomplishments. He has played on countless film and TV soundtracks and video games, made cameo appearances on roughly a gazillion albums, and produced and engineered a gazillion more.

He was also a member of Enoch Train and founded Blue Sky Music Camps, a premier summer workshop for aspiring musicians.

Oh, and one more thing - Aaron is both an Aggie (Bachelor's degree from Utah State University) and a Cougar (Master's degree from Brigham Young University). True story.

By the way, I'm sorry if this sounds like a eulogy. Dude's not dead. In fact, he's well this side of forty, and still growing and evolving as a musician and as a person. I just respect the guy as a colleague and friend, and can't say enough good about him.

(I'd better stop myself. This is getting embarrassing.)

Just visit his webpage, buy his album and catch a concert. I'd say "or," but you should really do all three.

This was one of my favorite shows I've played with the Aaron Ashton Band. Great players all around.

Gear Up: Cymbals - Drum Set

Last week I had the opportunity to set up a brand new Yamaha Stage Custom Birch kit, fresh out of the box, equipped with a Zildjian A Custom box set of cymbals - 20" ride, 16" and 18" crashes, and 14" hats. The kit was AWESOME (but that's for another post), and the cymbals were a nice change of scenery for me. Most of my cymbals are Zildjian Ks and K Customs, which are very different from A Customs. I almost hated touching everything for fear of leaving fingerprints.

So, that brings us to the questions of the day.

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How many cymbals should you have in a basic drum kit?
At very least, you should have hi-hats, a ride and a crash. Beyond that, use your imagination and watch other drummers for ideas. For me, I use hats, ride and two crashes - one left and one right - and a splash right over my first rack tom. I'm also a big fan of stacking a splash upside down on top of a ride or crash. There are other cool ideas all over the place, just experiment and see what you like and works for your playing and style of music..

What sizes should you use?
This is open to debate. I'm a weirdo, cymbal-wise, so I use 13" hats, a 22" ride, and my crashes are 15" and 17". The splash is 7". I'm not a really high volume player, so these particular cymbals get me what I need in terms of control and response.

Standard sizes (if there are standards anymore) are 14" hats, 20" ride and 16" or 18" crash. Again, try a lot of cymbal sizes, and find what works for you.

Which brand is best? Uh......yeah.....about that. This is like the Coke/Pepsi debate or the Chevy/Ford debate, but much, much worse. Given that I've played cymbals I've liked from more than a dozen different companies, I'd sooner tell you which presidential candidate I'm voting for this year. I'd probably take less heat for that than for declaring cymbal supremacy for one or the other.

In my personal cymbal bag I have a pile of Zildjian Ks, K Customs, A Customs and As. I also have some Sabian and Meinl pieces. In addition, I have a serious hankering for some Bosphorus, Hammerax, Paiste and Soultone. There are many more cymbal makers, too many to mention here.

Again, listen for what you like, and play what makes you happy.

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A few years ago I had the opportunity to play one of the practice kits at Brigham Young University (BYU), and it was equipped with a set of Paiste Signatures. Like I said above, I'm mostly a Zildjian guy, but I was blown away. They were the smoothest, silkiest, easiest playing plates I'd ever met. The experience taught me never to walk away from something just because of the brand name. Put stick to metal, and let your ears make the call. 

One more resource you may want to check out is MyCymbal.com. They allow you to hear the exact cymbal you're purchasing before you buy, usually played by somebody awesome, like Peter Erskine or Jeff Hamilton.

Good luck choosing some great cymbals. And don't be afraid to try something new.

Happy drumming!