Beyond the Kit: Percussion Ensemble

The percussion ensemble, also known as percussion orchestra, is rapidly becoming a major player in the modern chamber music arena. The ensemble can be made up of anything you can hit, er....strike. Any struck instrument is technically considered percussion, so it's fair game. From traditional instruments to trash cans, boat propellors, car doors, flower pots, whatever.

A standard ensemble line up would include marimbas (4), vibraphones (2), xylophone, bells or glockenspiel, battery percussion (bass drum, snare drum and cymbals), timpani, chimes and a variety of auxiliary percussion such as triangles, shakers, tambourines and more.

The first percussion ensemble experience most of us get is in junior high or middle school, and - I'm not gonna lie - it's usually pretty bad. It's probably one of what we call "drummy drummy" ensembles where a bunch of 11 and 12 year olds bang on snare drums, bass drum, wood block and cymbals. Most of those pieces aren't very musical, and they aren't very fun.

Fortunately, percussion ensemble literature has exploded in recent years. Probably the greatest advancement in percussion's public perception (also known ppp, or piannississimo) is the realization that percussion isn't just banging and crashing. It's also capable of breathtakingly beautiful melody and harmony, sensitive dynamic expression and exquisite mystery, just to name a few.

Check out some of my favorite places to pick up percussion music. (Did I miss some? Let me know!)

Drop 6 Percussion

Tapspace

Bachovich Music Publications

Row-Loff

KT Percussion

And, just for fun:

Vibraphone Addendum

I finally found this on YouTube and had to share. The track is called, "Times Like These," and it's from the Gary Burton and Makoto Ozone album called, "Face to Face."

Here's the story: Burton and Ozone came to Salt Lake City's Jazz at the Sheraton series in 2000*. They played this tune at the end of the first set, and when it was done nobody clapped for almost a full minute. It was one of those mesmerizing concert moments where the entire audience somehow recognizes the magic spell that has been cast and realizes that the moment somebody claps it will be broken.

When the applause finally started, it was an almost instantaneous standing ovation that lasted for several minutes.

Not only had I never heard a piano and vibraphone duet before (let alone an entire concert), I wasn't all that excited to attend because I knew there wasn't going to be a drummer. Man, was I wrong! This tune touched my heart in a completely new way, and helped me to realize what has become one of my deepest held beliefs:

The power of music is the music itself. The instrument is just the method of delivery.


I hope you enjoy the track as much as I do. Turn it up loud, close your eyes, and let it take you on a journey.




*Coincidentally, I attended PASIC later that same year in Dallas, TX, and saw them perform this tune again with the same effect on the audience. It really helped to solidify my respect for GB and MO, as well as my love for percussion and music.

Keyboard Percussion 2: Vibraphone

Ah, vibes. Such a misunderstood instrument.

One thing I neglected to mention earlier (for all you percussion neophytes), is that the keyboard percussion instruments are laid out similar to a piano. They play in concert pitch, and if you already play piano, they look familiar at first glance. You'll have no problem identifying the notes.

The vibraphone has metal keys and resonators, but also has a fan in each resonator tube that can be turned on to create a vibrato effect - hence the name vibraphone. Most of the time, the fan is left off. It is generally played with a harder, cord-wound mallet. Much like marimba, it's very common to see vibes played with four mallets.

So. Another couple of videos for you. (Why post pictures when YouTube is out there, right?)




And a more contemporary example.




And, finally, another Gary Burton clip, but solo this time. Watch the pedal (bottom center of screen) to see how much footwork goes into this type of solo. Also see if you can see "dead" strokes (when he uses the mallet to both play and dampen a bar at the same time) and silent strokes, called "mallet dampening." Gary is easily the foremost vibe player of all time, in addition to being a great composer.

Enjoy!