Showing posts with label timpani. Show all posts
Showing posts with label timpani. Show all posts

Friday, March 23, 2012

Friday Feature: John Bonham of Led Zeppelin

The band Led Zeppelin changed the course of rock and roll forever, and legendary drummer John Bonham played an enormous role.

According to Drummerworld, "John Bonham is the most influential Rock Drummer of all time." That's a very bold statement, but I can't argue it. Not only did Led Zeppelin change the course of rock music, millions of drummers around the world were influenced by the sometimes bombastic, and always passionate, playing of Bonham.

My first exposure to Led Zeppelin was fairly pedestrian. I wasn't a very experienced listener or musician, so I didn't know that what I was hearing was extraordinary. It was only years later, after much more listening and playing - and trying to imitate what I heard - that I realized how unique and powerful the playing of John Bonham really was and is.

Today there are many great players who have achieved skill and notoriety approaching the level of John Bonham. And I'm willing to bet that most of them would list him among their influences.



"Moby Dick" was one of the songs that caught my attention when I first started listening to Zeppelin. Of course, I convinced my own band to cover the song, and I gave my very best Bonham impersonation (sans timpani, unfortunately). 

It's interesting as you listen to this clip to hear the sound and tone choices that he makes. Even more interesting are his melodic, rhythmic and compositional choices. This is a drum solo for musicians. Of course there are a bazillion notes, lightning fast chops, and the like. 

But honestly, doesn't this sound more like a jazz drummer than a hard rocker? It's amazing to me.

At any rate, if you're not familiar with John Bonham and/or Led Zeppelin (you're living under the proverbial rock, of course), you owe it to yourself to check him/them out. Even if you don't like the music, be a student of their ingenuity, virtuosity and innovation. The effort will reward you generously.

Happy drumming!

Saturday, March 10, 2012

Special Feature: Play Drums Like A Girl

I've been hesitant to address this topic, but there's just too much good stuff going on right now on this topic to ignore.

Before I dive into it, I do want to make one thing crystal clear: in my mind there are no limiting factors to being a great drummer in terms of gender, race, ethnicity, orientation, political leanings or soda preference.

The biggest indicator? How hard, long and smart you work.


Okay, now that we've got that handled, on to the good stuff.

There's been a huge push in the music industry over the last decade or so to try to convince girls/women that playing music is for them, too. While it's true that the vast majority of high-profile drummers are male, there are some amazing female players out there, and it seems like there are more all the time.

As a starting point, check out Drummerworld's list dedicated to "The Ladies." Earlier this year on the blog, I featured one of my favorite women of groove, Emmanuelle Caplette. And today, I ran across this website, the "Hit Like A Girl" contest.

From my personal experience, I've played with and taught many a girl drummer who could outplay any boy in the neighborhood with ease.

One quick story about a former student of mine. As a Sophomore in high school (15 years old), she was playing the timpani part on Jager's "Espirit de Corps." If you've ever played that piece, you know how important that part is. The day before our district band festival, she got her wisdom teeth pulled out. On the day of the performance, she told her mom not to give her any pain medication because she wanted her head to be clear so that she could play her best.

Be honest. Would you have even showed up after you had your wisdom teeth out? I probably wouldn't have. And don't even think about going without paid pain meds.

That night her example put a new sense of toughness and self-respect into our band, and we qualified for the state-level festival for the first time in school history. This girl set a new standard for toughness and dedication to her craft. Percussion - and her self respect - were of critical import to her. Awesome!

Anyway, girls rock. Go play the drums, or anything else you want to. Just let us boys play along, too!

Happy drumming!



Thursday, December 1, 2011

Timpani

Timpani are, in my opinion, the heavyweights of the percussion section. With the power of drums, but also pitch, they are known in the orchestra as the "second conductor."

They've also been used in many other settings, including in the rock band Led Zeppelin, by one of the most famous drummers of all time, John Bonham.

My first real experience with timps came when I was a senior in high school and made the All-State Band. I was the only percussionist to show up with a tuner, so I was "elected" the timpanist. It was an adventure, to say the least.

When I got to college I began to learn how amazing and fun playing timpani can be. We spent a long time learning proper strokes, dampening and getting great tone, as well as learning to tune the drums by ear. Along with ear training and sight singing classes, my private percussion lessons helped me to be able to "hear" the pitches in my head and get the drums in tune with the ensemble - usually the band.

For two of my years at college I was the timpanist for the Symphony Orchestra. It was challenging and very enjoyable. I learned to be connected with the conductor in a new way, and also learned to listen and align with other sections of the ensemble. In short, playing timpani made me a much better, more mature musician. These days I take the opportunity to play timpani any time I can get it!

Along with a rapidly growing collection of solo timpani literature, orchestral timpani is a high profile and very prestigious position for any percussionist. In most professional groups, the timpanist -while a part of the percussion section - usually plays only timpani. No snare drum, mallets or auxiliary parts.

A few tools are required to be a timpanist. I recommend at least three pairs of timpani mallets - soft, medium and hard. A tuning fork and a digital tuner are also not a bad idea. Most of all, get some lessons with somebody who knows a great deal about timpani and can teach you fundamentals.

Be a complete percussionist-musician. Learn how to play timpani well.

Happy drumming!



Why musicians should watch the big game (Seriously!)

Photo by  Ameer Basheer  on  Unsplash Here we are, about to watch another televised wrestling match over who puts a football on one en...