Here's a simple idea to get you going. This fill isn't exactly subtle, but if you really lay back on it, it's pretty swingin'.
Try to keep the unaccented snare drum notes down (soft) as much as possible. You can then use the accents to develop the "melody" of the movement around the kit, and you don't have to play loudly. Remember that, in terms of dynamics, the more you can whisper, the more a normal voice will sound like shouting. It's all about contrast.
And, finally, the sticking. I like to play the first triplet alternating, starting with the right hand (so R L R), then play L L R the rest of the way.
Happy drumming!
Showing posts with label simple. Show all posts
Showing posts with label simple. Show all posts
Thursday, March 29, 2012
Tuesday, March 6, 2012
The Weight Room: Flams
The Flam is one of the most basic rudiments.
And I'm going to give you one of the most basic pieces of advice you'll ever get about playing it.
The way to good, clean flams is simply to keep the strokes separate (unless you're trying to play flat flams). And what I mean by 'separate' is to keep the main stroke high and the grace note low. There are numerous opinions on how much lower/softer the grace note should be from the main note, but a general rule of thumb is to keep as much separation as the music will allow.
Take two objects of similar weight, size and shape. Imagine two basketballs. If you drop them from a given height, they'll hit the ground at the about the same time and with about the same force. But if you drop one from a lower height, it will hit the ground slightly earlier and with slightly less force. As you increase the difference in height, you increase the difference in the arrival time and force.
So, logically, your sticks are two objects of similar weight, size and shape. If you "drop" them from the same height, they hit at the same time with the same volume (force). This is a flat flam (which we'll talk about another time). If you want to create a normal, concert/rudimental snare drum flam, you start the grace note stick very low, and the main note much higher (depending on the dynamic level, accents, etc.). Then, just let gravity take over and play the notes.
Especially when it comes to concert and rudimental snare drumming, don't underestimate the power of good ol' physics. Gravity pulls down, and sticks/heads bounce up. Your fingers and hands are just there to help and control (and, of course, do cool visual stuff, twirls and stick flips). So don't think that you have to do all the work. As one of my old instructors puts it, "Let the sticks do the work."
I hope this helps your flams. As always, stay relaxed, use your ears, and rely on good technique. Those things will get you everywhere you want to go.
Happy drumming!
And I'm going to give you one of the most basic pieces of advice you'll ever get about playing it.
The way to good, clean flams is simply to keep the strokes separate (unless you're trying to play flat flams). And what I mean by 'separate' is to keep the main stroke high and the grace note low. There are numerous opinions on how much lower/softer the grace note should be from the main note, but a general rule of thumb is to keep as much separation as the music will allow.
Take two objects of similar weight, size and shape. Imagine two basketballs. If you drop them from a given height, they'll hit the ground at the about the same time and with about the same force. But if you drop one from a lower height, it will hit the ground slightly earlier and with slightly less force. As you increase the difference in height, you increase the difference in the arrival time and force.So, logically, your sticks are two objects of similar weight, size and shape. If you "drop" them from the same height, they hit at the same time with the same volume (force). This is a flat flam (which we'll talk about another time). If you want to create a normal, concert/rudimental snare drum flam, you start the grace note stick very low, and the main note much higher (depending on the dynamic level, accents, etc.). Then, just let gravity take over and play the notes.
Especially when it comes to concert and rudimental snare drumming, don't underestimate the power of good ol' physics. Gravity pulls down, and sticks/heads bounce up. Your fingers and hands are just there to help and control (and, of course, do cool visual stuff, twirls and stick flips). So don't think that you have to do all the work. As one of my old instructors puts it, "Let the sticks do the work."
I hope this helps your flams. As always, stay relaxed, use your ears, and rely on good technique. Those things will get you everywhere you want to go.
Happy drumming!
Thursday, March 1, 2012
Bag of Tricks: KT Tunstall - "Black Horse and the Cherry Tree"
I'm fascinated by how musical and powerful a simple lick can be. Here's one from another favorite modern pop tune. (Did I mention that I love any kind of hi-hat fill?) This may be the simplest fill I've ever posted, and it's still one of my favorites.
It occurs at about the 2:30 mark.
One thing I love about this music video is that KT plays all of the percussion instruments - bass drum, snare drum, tambourine, chair, hand claps, etc. Tons of energy and a lot of fun.
Happy drumming!
It occurs at about the 2:30 mark.
One thing I love about this music video is that KT plays all of the percussion instruments - bass drum, snare drum, tambourine, chair, hand claps, etc. Tons of energy and a lot of fun.
Happy drumming!
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