Friday Feature: John Mayer's "Born and Raised"

Man, I love John Mayer. Call it a man-crush or whatever, I simply cannot get over this guy. Yes, I know he comes across as a jerk in every interview, but when he picks up his guitar it simply overcomes all of that for me.

I have loved each of John Mayer's albums up to this point, so I was expecting another home run with "Born and Raised." I wasn't disappointed.

Yes, I'm going to highlight the two obvious choices off the record, so I apologize if you were hoping for some hidden treasures. Again, I'm just hoping to give the reader enough interest to check out the record and give it a thorough listen.

With that in mind, here are my two 'must hear' choices from this album.

"Shadow Days"

"Walt Grace's Submarine Test, January 1967"

Both of these tunes hit me squarely in the ears, heart and mind through a combination of brilliant lyrics, subtle melodies and harmonies, and fantastic orchestrations. No virtuosic intensity here, just great storytelling.

Happy listening!

Gear Up: Must-have metronome features

We all know we should be practicing with a metronome - it's a no-brainer. And in today's world, there are more metronome variations available than ever before. Both in hardware form and in apps and software, the ol' timekeeper is pretty easy to get.

But how do you know if you're getting a good one? Here are three essential features to look for when getting a metronome.

1. Single digit tempo adjustment. Beyond the fact that it's just annoying to not be able to get the exact tempo that you need, single digit adjustment allows you to push your tempo thresholds in the smallest possible increment. And that means you can trick your brain into thinking that things are just a little bit easier. 
2. Tap tempo. Personally, I didn't know what I was missing until I got a 'nome with this feature. Now I can't live without it.* The ability to approximate a tempo, or scale the difficulty of the exercise to the situation gets infinitely easier if you can just tap it in and get it done.
3. Audio output jacks. For many reasons, you'll want the option of isolating who can hear the click - for practice sessions, live performance and studio work.

Obviously there are many more things a metronome can do, and you may want those features. (Let us know what features you think are critical in the comments below.) But, for the sake of basic functionality, you're not getting your money's worth without these three features. 

Happy drumming!

For a more detailed review of some specific models, check out this page.

*I'm a complete tempo geek. Using the tap tempo feature, I have catalogued almost every song in my database by its tempo, style, time signature and style. This gives me the ability to play any exercise or excerpt that I'm working on either with the click or with a track. Honestly, would you rather warm up with a robotic beep or the Foo Fighters? I thought so.

Gear Up: Go green with an iPad

Not too long ago, I was on a gig with a band when the sound board burned out (no flames, but some awesome smoke). After doing some research, they decided to replace the board with a new-tech board completely controlled by an iPad. There are several versions of this board, but this is the one they were looking at.

One of the most attractive features (for me, at least) is that I can control my own monitor mix from my own iPad wirelessly. Also, up until this point, the band was using (actual paper-and-ink) music notebooks, especially for longer shows that required switching up the set list on the fly.

So, announcing the upgrade of the soundboard and the end of the notebooks*, the band sent out an email requesting that all of the sidemen (yup, that's me) get an iPad by a certain date. I went shopping, and ultimately settled on a second hand, "unused," still-in-the-wrapper iPad 2 with 32GB of storage. It was expensive (yikes!), but I felt like it was a good deal.

But....I'm not gonna lie. I was pretty skeptical about the usefulness of the iPad beyond the obvious ones I've already mentioned. That being said, here's my short list of uses for the iPad that have sort of changed my world.

1. Truth be told, I haven't used the iPad with the new mixer yet, but if it's half as cool as the marketing videos, "'Nuff said."
2. I downloaded an app that allows me to store, edit and display the charts (usually spreadsheet format like Excel or Numbers) we use to play songs, so I have literally hundreds of songs at my fingertips at every gig, even without internet access.
3. When I do have internet access, I can pull up a chart for any song that is requested at a gig. In fact, at a recent gig we were able to respectably recreate at least a half dozen songs we'd never rehearsed. That goes a long way with making an audience or client very happy.
4. Continuing the "green" theme, an iPad is much easier to use than a smart phone or laptop to take quick notes, check a calendar, or send a message - with no paper, pen, pencil, chisel or stone slate.
5. Smart phones can do this, but iPads are a little better - taking photos or quick videos, recording sound or voice notes or sending emails, texts, HeyTell messages, etc.
6. Apps are awesome. They're even awesomer (I know it's not a word, but I can't resist using it) on a bigger screen with more capabilities. Most apps for iPhone have more features and usability on iPad.

I'm not saying you can't live without an iPad, but I am saying that they are far more useful than I had anticipated. I've even found myself taking it to meetings instead of my laptop. It's easier to carry, the battery lasts longer, and it's got all the features (for me, at least) needed to carry about my daily tasks.

Phew! It feels good to get that off my chest. 

*Honestly, this was a no-brainer. Every time we added a song to the setlist (over 200 at this point), it required a bunch of printing, collating, updating the notebook - blah, blah, blah. The iPad allows for quick, easy and "green" updating of basically everything we need for a gig.

Beyond the Kit: It's more than the music

The following story is true. The names have been changed to protect the innocent.....and the not-so-innocent, for that matter.

Several years ago I was hired to finish a studio album that was already in progress. The original drummer had, uh....moved on, and I was happy to take his place. Actually, I was more than happy. This guy was easily the best drummer that had ever lived in that particular area, and was absolutely the standard for being a true pro player.

In short, I was feeling pretty darn good about myself. You might even say I was feeling cocky. I thought, "If I'm replacing that guy, I must be as good as he is." This was a great feeling.

It lasted about five minutes. Typical, right?

When I showed up on the gig, the producer/engineer and the songwriter sat me down in the control room to listen to the rough mixes of the tracks I'd be playing. I was in the middle of being blown away by the playing of my predecessor when the producer started talking to me.

Producer: "You know you're not nearly as good as him, right?"

Me: "Yeah, I was....wait? What?"

Songwriter: "Yeah, he's amazing. Best drummer I've ever worked with."

Me: (Shocked, trying to keep my composure.) "So....why'd I get hired, then?"

Producer: (Laughing) "Because, man! You're always on time and you never show up drunk!"

Ok, then. There you have it from a career-long pro. Be on time and don't show up drunk. They did go on to reassure me that I'm a good player and they were excited to have me on the project, but it was shocking to know that (apparently) my most marketable features were punctuality and sobriety.

It actually ended up being a great project, a huge learning experience for me, and a whole lot of fun with some great new friends. But it sure was humbling.

Stay sober, my friends.